Whether you are a dancer, dance teacher, dance studio owner or a dedicated mother; Whirl-a-Style has what you need to create great dancer’s buns and pretty hairstyles! We want to welcome you to our Whirl-a-Style website and we hope you enjoy our fashion forward advice for dance hairstyles. We just love what you do and are excited to help you!
We have a lot of information on this site that will help you get started. Register for free as a dancer and checkout our educational videos, FAQ's for dancers, and upcoming events! We also have a photo gallery of dancers with perfect ballet buns to illustrate just how useful Whirl-a-Style can be to any dancer. Check it out now!
Q&A #1
Check out our Dance Blog!
Want a resource that regularly features dance tips and tricks? Check out our Dance blog! We cover a variety of topics that are important to dancers. Who knows, you might discover something you didn't know before! We also had Jessica Fernandez, a dancer who used to dance with Shakira and dance on So You Think You Can Dance share her a little bit of her experience below.
Jessica Fernandez from So You Think You Can Dance shares her professional dance career and experiences:
I began dancing at 18 months old. I just loved it. By the age of six, I knew my passion was in the performing arts. I first began my professional career at the Art of Classical Balletand Aventura Dance Academy, where I received expert training from Magaly Suarez and Ali Osi Paquin. Osi Paquin received training from Manogonver, who is respected as the creator of a special method of ballet training.
At 15, I was accepted as an apprentice to Miami City Ballet, where I was to fill in for an array of parts for their dance company. Throughout the next few years I was accepted to train with a variety of companies such as Arts Ballet Theatre of Florida, the Miami City Ballet, Miami Contemporary Dance Company and Ballet Gamonet Maximum Dance Company. During this time, my biggest accomplishment was being cast as the lead actress in ‘The Firebird’, a folktale about a phoenix where the choreography and costumes were based solely around me. My teacher Vladimir Issaev wanted to do this performance for a while, yet was waiting for someone he thought could handle the role. It was a huge honor and I learned so much from this experience.